"The show must go on"

sisyph2The workload of a person or organization is the amount of work that has to be done by them. Running this site is associated with some workload. I cannot compare myself with Sisyphus. He was punished for his self-aggrandizing craftiness and deceitfulness by being forced to roll an immense boulder up a hill only for it to roll down when it nears the top, repeating this action for eternity. At least, I can see the fruits of my labour in content growth and rising number of website visitors. I launched the website on March 1 2014. The first blog entry I posted had the dramatic title "So it begins...". Since then I have posted an anniversary blog post this time every year. The second blog post (2015) had the expectantly title "So it continues...". Here, I discussed the past, present and future for the site. The third blog post (2016) had the prosaic title "And so it goes on and on and on and on and on...". Here, I did some merciless following up on ambitions and promises. The fourth blog post (2017) had the patronizing title "The necessity of content gardening". Here, I stated that a website, with proper content gardening, could live forever. The fifth blog post (2018) had the technical title "Ratchet effect through organic growth”. Here, I speculated how web indexing and algorithms drove traffic to unprecedented levels. The sixth blog post (2019) had the glorifying title "5 years and 100 000 hits". Here, I rattled off statistics lengthwise and crosswise. Today, it's time again for a new blog post. The visitor counter indicates 124 031.      

Assessment

The last year was mediocre in the same sense as its original meaning (the earliest known evidence of the word): "Mediocre, a meane betwixt high and low, vehement and slender, too much and too little as we saye." No highs or lows. Muddling through. My day job takes a lot of my focus and energy. More and more, the website has become an outlet from work. I have to be careful. "All work and no play makes Jack a dull boy". But, I'm not typing the same sentence over and over again. At least not yet.      

Visitor statistics

From zero to 100 000 visitors in 1 814 days, which is equal to five years. From zero to 10 000 took 264 days. But, after 50 000 something happened. The web indexing and Google algorithms seems to have begin to kick in. The step from 50 000 to 60 000 visitors took only 131 days. The average number of days for another 10 000 visitors has since then been around 130-140.
 

     
Hits Date  Days Total
10 000 2014-11-20 264 264
20 000 2015-07-05 227 491
30 000 2016-03-05 244 735
40 000 2016-10-21 230  965
50 000 2017-04-09 170  1 135
60 000 2017-08-18 131 1 266
70 000 2018-01-09 144 1 410
80 000 2018-05-19 130  1 540 
90 000 2018-10-06 140 1 680 
100 000 2019-02-17 134  1 814 
110 000 2019-07-16 149 1 963
120 000 2020-01-03 171 2 134
     

     

     

     

     

     

     


Department statistics

Business has been slow at the embassy. I wrote only one new article last year, listed three more artists in the table, made zero new lists and wrote 29 blog entries. But, it will have to suffice.
 

     
Department 2020-03-01 2019-03-01 2018-03-01 2017-03-01
Articles 66 65 62  62
Artists  141  138 135 128 
Lists 42 42 32 27 
Miscellaneous 9 9 9
Blog 158 129 99 84
     

     

     

     

Most visited pages

The last four years the five web pages below has been the most visited. Naturally, the start page is the most visited page. However, the order of the other pages has shifted over time.

No Page 2020-03-01 2019-03-01 2018-03-01 2017-03-01
1 Home 124 031 100 813 73 857 46 277
2 10 essential gothic country albums 19 722 14 372 7 540 3 946
3 Artists 16 228 13 312 9 983 5 513
4 Sons of Perdition 11 814 9 616 7 753 4 137
 5 Articles 11 051 9 340 7 155 3 518
     

     

     

     

     

     




Flaws

The website has been up and running twenty-four seven. No referral spam, no unsolicted registration of users and no incidents. SEGC has a digital certificate to enable HTTPS (SSL/TLS) for websites. Until May 19th 2019 SEGC was a "not secure" site (the symbol circle with an i). The warning symbol refers to the lack of security for the connection to that page. Information sent and received with that page is unprotected and it could potentially be stolen, read, or modified by attackers, hackers, and entities with access to internet infrastructure. Maybe one or two pontential site vistors were scared away. My friend Mikael (self-taught website builder and professional web analysts) made the site https-secure. However, one side effect was that every single "like" that had been clicked over the years disappeared. I had to start over again, just like Sisyphus. The gothic country legacy is crumbling. If you stumble over any obsolete or incorrect information or any dead links don't hesitate to contact me and I will fix it.  

Reflections

I haven't received a single e-mail from market or web solutions companies where they claim earnings from the site. Maybe they are giving up on me. The site is non-profit and free of advertisment. This is the way it has been and will always be.

Future

During the last year I started to consider whether I should be doing this much longer. Depletion of stocks, zero regrowth and reaching a saturation point are three explanatory factors. Maybe I would be forgiven for calling it quits? Then I snapped out of these depressing thoughts. The responsibilities that I have towards society are too important to be abandoned. And besides, no-one will take up the fallen mantle. The show must go on. I will go on untiringly within the limits of family, work and other duties. 

 

"Why so serious?"

whysoserious3"Why so serious?" This famous and memorable quote is etched on my mind. How did the Joker get his scars and what de(formed) him? There are, at least, two alternative stories which are equally cruel and gruesome. The veracity of the stories are shrouded in mystery since they are both told by the notoriously elusive Joker. The main reason to why this quote is etched on my mind is that I really admire seriousity. Coupled with dedication it's adorable. However, seriousity and dedication is a very dangerous combination and can, wrongly balanced, get out of hand. I could compile a long list where things have gone really wrong. Seriousity is considered desirable and most people want to be treated in a serious way. I'm very serious about this website. However, I do hope I'm on the right side of the tipping point. I'm happy if someone finds my work interesting or amusing. Maybe even occasionally laugh. Then I've succeeded. What's so funny? Well, maybe nothing. "Why so serious? Let's put a smile on that face!"      

"The Devil's in the details"

DRR diitdFor a dedicated collector of rare cds like myself there's nothing more frustrating than an infinite set. You will survive knowing that you probably never will complete a collection, but it's unbearable not knowing if an album has been released or not (and, in theory, are in circulation). Specifically, I have the Devil's Ruin Records (DRR) label in mind, read more here (opens in a new window). You may now ask the obvious question: how hard can it be to figure this out? Let me tell you about it. I've spent many hours searching, comparing, triangulating, double-checking, speculating and rejecting. It's an advantage to have a monomanic disposition and be disinclined to changes. If you put in the time, the results will come. That's what the management textbook says, anyway. Despite the huge effort, the facts and evidence are inconclusive. Further research is needed. But, this year I actually made a major breakthrough. Six months ago, a large part of the DRR catalogue came up for sale on Discogs. I quickly purchased five albums (see image). It cost me a lot of money (price, registered shipping, import tax and fees) and is by far the most expensive purchase ever for me, but it was worth every penny. Never seen the cds for sale before. The knowledgeable seller gave me information about the last remaining days of the label that could be used for narrowing the gap between an infinite and finite set. Let's start with the basics. Discogs (reputable website and crowdsourced database) has 37 DRR-albums listed. After the above-metioned purchase I have 34 of them. One of three missing albums is JB Nelson's "Animal Extracts". According to Discogs no one else has a copy either. With reference to unconfirmed information on internet I asked the seller about a few other "DRR-albums" not listed on Discogs. Among them, two JB Nelson albums "A Letter To My Enemies" and "Animal Index". The seller replied: "The last order I made with Devil's Ruin was those two JB Nelson CDs. The guy soon disappeared and never sent them to me. According to JB Nelson, he has a copy of each. But I don't think anyone else does. It's sad. JB later released them on DIY CDR." This part of the mystery is hereby solved. The empirical evidence supports this. The albums were re-released on Cheap Wine Records. I also asked the seller about Botanica “Who You Are”, reportedly releasead on Devil’s Ruin Records, May 25th 2010. The seller replied: "Botanica I think was a "Special release". If you paid a certain amount a year you would get an exclusive release each month. Those releases never came out as far as I know. Some others that were supposed to be exclusive were "Before You Die..." and "Death's Head Hearth". Since I lack all boundaries when it comes to hard-to-find cds I contacted all three bands in this matter. I got a reply from "Before You Die..." and "Death's Head Hearth" with the same message. They never saw a glimpse of any album. I assume this goes for Botanica as well. If that is the case then this solves the other part of the mystery. This means both clarification and relief. I can probably forget the three JB Nelson albums and conserve my resources to the other two missing albums. What makes DRR so fascinating? The label was active between 2008-2010 and released over 30 albums of which five were compilations. The high production rate has an explanation. A reliable source revealed the story behind. It's expensive to make professional cds. Reportedly, the owner had direct access to pressing equipment. Therefore, he managed to press both quickly and a whole bunch. The copies were cheap. On Discogs, all but three DRR-albums are listed as cds. According to my source they're all cdr. Devil's Ruin Records went belly up in 2010. The owner vanished from the face of the earth. Another obscure detail. When the pressing equipment wasn't used for making DRR-albums it was used for making pornography. Well, the Devil's in the details. 


"Spotify killed 8tracks"

8tracksAnother lamb to the slaughter. Internet radio and social networking website 8tracks closed down with short notice. On 26 December 2019, 8tracks announced the cessation of their service effective 31 December 2019. 8tracks revolved around the concept of streaming user-curated playlists consisting of at least 8 tracks. Users could create free accounts and could either browse the site and listen to other user-created mixes, and/or create their own mixes. I liked the concept where people put in their time and effort to create personal lists, writing witty notes and adding evocative images. The gothic country genre stood out. Well, who is to blame? David Porter, CEO and founder of 8tracks did not mince his words in a farewell e-mail to all users. "We've fallen behind in royalty payments because our revenues have declined as a result of a steady drop in listening activity, which is in turn largely due to Spotify's cannibalization of our audience with ever-better lean-back playlist offerings (like Discover Weekly) and its ability to offer listeners both lean-back and on-demand streaming "under one roof." Spotify, so much to answer for. I do hate streaming, but the enemy of my enemy is my friend. Now comes the humiliating part. Not only did Spotify eat 8tracks alive. They were chewed up, digested, spit out and eaten again. 8tracks obviously found themselves between a rock and a hard place. Save the 8tracks lists for posterity or lose them forever? 8tracks gave their users the opportunity to migrate playlists to Spotify or to save the tracklist to a .txt file. I'm proud to say that I chose the latter. It was manual labour. I managed to save 51 "gothic country", 71 "dark americana", 78 "dark country", 28 "death country", 240 "gothic americana" and 18 "gothic folk" lists before 8tracks closed down. Unfortunately, I didn't have the time and lacked the energy and endurance to download the 2 431 lists tagged "Southern Gothic". On the other hand, you would be shocked and appalled if you knew what some people consider as "Southern Gothic". 8tracks is gone, but will not be forgotten.   

 

"Sad bastard music"

neiltheyoungonesSad bastard has a certain ring to it. I think it's safe to say that "sad bastard" is a derogatory term. The academic definition: a person considered to be ludicrously contemptible or pathetic. The colloquial definition: a person who wallows in self-pity. I think you get the general idea. For him - it's always a he - awaits endless disrespect, ridicule, humiliation and mockery. The saddest of all bastards must be Neil Pye, the hippie character in the British sitcom The Young Ones (1982). One example of his sad bastard one-liners: "I won't say anything 'cause no one ever listens to me, anyway. I might as well be a Leonard Cohen album." No one wants to be, or admit that they are, a sad bastard. At least, not openly or publicly. However, I'm a sad bastard. Rather that than a happy jerk. I have always had a very strong suspicion against people that like happy or upbeat music. Why? Well, Patrick Bateman liked Huey Lewis and The News in "American Psycho", didn't he? It seems like people are hiding something behind their happy façade and forced smile. Sad isn't bad. A developed emotional setup isn't wrong. There's more to sad music than sadness. Sad music actually makes you happy, read more here (opens in a new window). This academic finding sounds like a contradiction in terms, but it's true. Moreover, the scientific community think that they found the answer to why we love sad songs, read more here (opens in a new window). The gothic country genre is filled to the brim with sad bastards. One bastard is sadder than the other. But where did term "sad bastard" come from? The term was maybe not coined, but definitely popularized, by the film adaption of Nick Hornby's book High Fidelity (2000). This is heavy irony, since I kind of like this feel-good movie. The "sad bastard" scene is hilarious. Rob (record store owner) is heartbroken and not fit for purpose, Dick (record store assistant and fact-oriented music lover is treading on eggshells) and Barry (record store assistant and fact-resistant music lover is not knowing and, if he knew, not caring) are trying to handle the awkward situation. Here is the dialogue in its entirety: 
Rob: "What's this?"
Dick: "It's the new Belle And Sebastian. Do you like it?" 
Barry: "What the fuck is this?"
Dick: "It's the new Belle And Sebastian"  
Rob: "It's the record we've been listening to and enjoying, Barry"  
Barry: "Well that's unfortunate, because it sucks ass!"
[Barry takes off the tape, and replaces it with another - Katrina And The Waves' Walking On Sunshine.] 
Rob: "Turn it off, Barry."
Barry: "Sorry, "it won't go any louder."
[Rob switches the tape off.] 
Barry: "OK, I was just trying to cheer us up. So go ahead - put on your old sad bastard music. See if I care."
Rob: "I don't want to hear old sad bastard music, Barry. I just want something I can ignore."

 

 

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