“Racoons, clogs and feces”

Nhamn girls1Outdoor shows has its merits. At least in the summer. The golden age of outdoor shows in Stockholm was in 1975-1977. I know, because I was there. The venue where it all took place was Gröna Lund, an amusement park(!). It's a relatively small park compared to other parks, mainly because of its central location, which effectively limits expansion. The scene area is also small. To name a few bands and artists who performed there in 1975-1977: Alice Cooper, Wishbone Ash, Status Quo, Uriah Heep, Kiss, The Sweet, Lou Reed, The Clash, Eagles and Thin Lizzy. The crappy photo on the left is taken by me on August 10, 1977. Later that night Thin Lizzy entered the stage. It was their second visit to Stockholm in less than a year. On September 30, 1976 they played at the Concert Hall. I had a ticket on the second row. The photo captures the fashion style at the time. Racoon make-up, swinging bangs, jeans (often white in the summer), wind jackets, folkloristic (synthetic) cardigans and, quite shocking, clogs (black or white). I saw a couple of shows in 1975-1977. However, I missed the british glam rock band The Sweet on May 5, 1976. They wrote history. Not only for cancelling two shows in a row (due to rain and risk of electrocution), but for the turmoil and disgust they created. They arrived at hotel Birger Jarl on May 3th after playing a show in Lund. Allegedly, a group of underaged girls were waiting outside the hotel to meet them. However, no indecent "meet and greet" occurred since neither underage girls or alcohol were allowed in the hotel rooms. The hotel was managed by the Mission Covenant Church of Sweden and they had a strict policy. Unsatisfied desires led to disappointment and hostility. Eventually, the staff threw them out. The editor of the magazine Poster (read more here, opens in a new window) intervened and tried to help them out. From a phone boot (yes, kids) he called virtually all hotels in Stockholm. Finally, they found refuge at hotel Malmen. You have to make hard prioirities when you are on a short-stay in Stockholm. The Sweet visited the dubious sex club Sexorama, known for live shows and naked women dangling in dusty nets over the tables, dim lightning and common despair. Things went from bad to worse before the show. During a soundcheck a couple of teenage girls slipped through the security and reached the scene area. This minor incident made guitarist Andy Scott very upset. He punched artist manager Ove Hahn in the face so hard that he fell into the tulip arrangements below the stage (yes, the same flower arrangements that Uriah Heep-singer David Byron fell into, read more here, opens in a new window). When the show was finished the sweet guys topped it off with smearing ketchup on the windows in the dressing room, urinating in the champagne coolers and, last but not least, handing over a turd in a folded tablecloth to manager Ove Hahn as a gift. Ove Hahn was a chastened man (when Jimi Hendrix played his set well overtime in 1967 he simply pulled out the power plug of the amplifier), but even he was shocked and appalled. "In my over 14 years as a manager, I have never experienced something so swinish". The band's manager David Walker tried to pour oil on troubled waters: "We are dealing with young, illiterate scoundrels who have become millionaires in a blink of an eye. They are not human beings, they are animals!". But the story doesn't end there. Legend has it that the band, not unexpectedly, received a complaint letter from Gröna Lund. The Sweet replied by sending a box with feces to the organizer. They were never booked again.  
 

bob marley juni 1980On June 17, 1980 Bob Marley performed at Gröna Lund for the fourth and last time (the Uprising Tour). Bob Marley was a superstar. He could have played at a larger venue, but wanted to come back to Gröna Lund who had booked him when he was an unknown artist. The hospitality rider included Malvern water, four liters (1 gallon) of pure fruit juice, a couple of Swiss quality cheeses, fresh bread, a couple of beers and two jars of jamaican honey. Allegedly, he was paid SEK 200 000 in cash. The attendance figure was estimated to 32 000 attendants. It still stands as the record for Gröna Lund (today's maximum is 17 000). In those days there was no such thing as prepaid tickets. It was be there or be square. People had waited for hours to get in and were desperate. Back in my time the bands brought their own PA system. The BMW loudspeakers were enormous, pumping out reggae basslines at unprecedent decibel levels. The soundcheck broke the floodgates. Some people climbed over the entrance gate. Others sneaked in from the rooftops of the adjacent residential area. People were everywhere to get a glimpse of BMW: in trees, clinging on to the Ferris wheel, on top of the carousels or on somebody's shoulder. Too many people in a small area could quickly turn into a disaster. Artist manager Ove Hahn understood this and acted. He grapped the microphone from one of the backing vocalists in the I-Threes and asked the audience, friendly but firm, to back a few steps to avoid people getting squeezed against the stage barrier. The crowd obediently stepped back. It was chaotic, but strangely enough nobody got seriously injured that night. Maybe the friendly atmosphere, the mesmerizing music or the marijuana smoke had a calming effect, or all of them in combination. Bob Marley was marked by cancer, but gave everything he got for almost two hours. The first song was "Natural Mystic" and the closing song was "Lively Up Yourself. The show became legendary and I'm very happy to have been a part of it. And the times were beginning to change. Not many people with racoon make-up or clogs. And, for what I can remember, no feces.   
 
alicecooper2017"Time is a flat circle. Everything we have done or will do we will do over and over and over again- forever". 40 years after the Thin Lizzy show I'm back at the very same place watching Alice Cooper and singing along with little or no credibility: "I'm eighteen / And I don't know what I want". Probably 80 percent of the audience were not even born in 1977. Apparently, Alice Cooper attracts all sorts of people from all sorts of places. You could hear accents that indicate a 300 km (200 miles) drive. Despite the guillotines and decapitations it was a family-friendly show in the bright summer night. And there were many more shows that summer. Gröna Lund has managed to nurture customer relations over the years and going there in the summer has become somewhat of a tradition for many people. One master stroke was to introduce season card. That summer you could see bands and artists like Megadeath, Elton John, Slayer and Patti Smith without paying anything extra. Some things are exactly the same. Like the smell of cotton candy, burgers and popcorn. But the circle of time isn't entirely flat. We don't end up precisely were we started. Some things aren't the same. Ove Hahn isn't around. He died in 2009. Ove Hahn was the artist manager between 1961-2000. That's committment, folks. I have also changed. With age comes less tolerance for crowding. In fact, I can't stand when people push me or try to walk right through me. No respect for elderly people anymore. And last, a major change. Not a single person with racoon make-up (except Alice Cooper) or clogs. And probably no feces. 



"CDs are more eco-friendly than streaming"

Spotify900x473Contrary to popular belief, CDs are more eco-friendly than streaming. Digital media has a far worse carbon footprint. Surprised? You should expect a less physical product would mean far lower carbon emissions. For sure, the amount of plastics used by the industry has dropped dramatically when streaming took over. But, it's more to the picture than meets the eye. Now and then, I found myself in a situation where I have to listen to tiresome arguments advocating streaming. Apart from the indisputable accessibility, (main)streamers often emphasize the positive environmental aspect. However, the environmental argument isn't correct and you can now stop feeling good about yourself. The energy used to power online music listening is enormous. Storing and processing music depends on vast data centres that use a tremendous amount of resources and energy. Sweden has become a popular country for locating data centres since we (still) have a cold climate and some energy tax exceptions. Is there a risk of comparing apples and oranges here? Not really, since you can compare cd production and the electricity used to store and transmit digital audio files into greenhouse gas equivalents (GHGs). The GHG from streaming are estimated to be twice as high as GHG from physical media. The hidden environmental impact of streaming is enormous. And what about the gothic country genre? The environmental impact is negligible. Often produced in ridiculously small numbers (50-200 copies) and packaged in recycled paper sleeves. Therefore, I can continue to sleep well at night. Physical copies are also the best way to support the artists.

  

"The missiles are flying. Hallelujah, Hallelujah!"

missilareflyingWe are living in worrying times with unpredictable world leaders who are quick to take offence and lacks impulse-control. Long ago, I saw the screen adaption of Stephen King's "Dead Zone" with Christopher Walken as the central character. Walken plays a schoolteacher, who awakens from a coma to find he has psychic powers. Despite Walken's extraordinary acting skills it was Martin Sheen (President Stillson) that made an imprint, because of his ghastly un-presidential qualities. Ironically, Martin Sheen later came to play president Josiah (Jed) Bartlet in the television series "The West Wing". The Stillson and Bartlet characters couldn't be more far from each other. "Dead Zone" made a long-lasting impression on me. I still rembember the nuclear button scene. This is how I imagined that the world would end. In flames. Here it the dialogue (it's more of a monologue) in its entirety.   
President Stillson: "Do it, General."
Five Star General: "You're insane. I won't."
President Stillson: "Do it! Put your hand on the scanning screen, and you'll go down in history with me!"
Five Star General: "As what? The world's greatest mass murderers?"
President Stillson: "You cowardly bastard! You're not the voice of the people! I’m the voice of the people. The people speak through me, not you! It came to me while I slept, Sonny…my destiny. In the middle of the night it came to me. I must get up now, right now and fulfill my destiny! Now, put your goddamn hand on that scanning screen, or I'll hack it off and put it on for you! Do it!"
Five Star General: "May God forgive me."
President Stillson: "Congratulations, General."
Sonny Elliman: "Complete the sequence, Mr. President."
President Stillson: "My destiny!"
President Stillson: "Thank you, Sonny."
President Stillson: "Let them come up."
Vice President: "This is not necessary Mr. President, we have a diplomatic solution."
President Stillson: "Mr. Vice President, Mr. Secretary, the missiles are flying. Hallelujah. Hallelujah."

 
 

"Spotify - in the red again"

Spotify intheredSchadenfreude is the only true joy. It's time to rejoice again. Spotify is in the red. The phrase "in the red" is used to describe a business that is operating at a loss. The phrase “in the black” refers to a business that are profitable and financially solvent. These phrases are derived from the colour of ink used by accountants. It would be more fitting if the colour of the Spotify logo were red. In Q4 2018 their financial report showed that operating income, net income, and free cash flow were positive for the first (and probably only) time. Finally, investors and shareholders would get return on their investments. However, one swallow doesn't make a summer. In Q1 and Q2 2019 everything went back to normal again. The financial report for Q2 2019 is indeed a very gloomy read. Operating loss amounted to €3 million (3,3 million dollar) and net loss was €76 million (84 million dollar). According to the Q2 report Spotify has about 108 million paying (premium) users (of a total of 232 million users) in Q2 2019, which makes 46 percent. The business model is based on conversion theory (by providing freemium, users will upgrade to premium). The share of paying users has increased the last five years, but the growth rate has leveled out. The share of paying customers is the same in Q1 and Q2 2019. After more than 10 years the share of paying users is still below 50 percent. Is this sustainable? Serious business analysts believe that a business model built on freemium will never be profitable. The stagnant conversion rate should cause panic in the board room, but instead the destruction of capital continues. What can we expect in the near future? In the Q2 report there's an outlook for Q3 and Q4 2019. The report is filled with misleading siren calls. The prognosis isn't directly accurate. Spotify expects a very small operating income or a large operating loss. The concluding disclaimer takes corporate bullshit to a new and unprecedented level: "These forward-looking statements reflect Spotify’s expectations as of July 31, 2019 and are subject to substantial uncertainty." Deeds, not words. 


"The outtake that should have been included"

GriefcameridingArtists sometimes behave erratically. How else could you explain why a song is not included on an album. I'm not referring to songs in general, but to outtakes with extraordinary qualities. There are some flagrant examples: "Blind Wille McTell" was left out from Bob Dylan's album "Infidels", "Panic" was left out from The Smiths groundbreaking album "The Queen is Dead" and "Love Will Tear Us Apart" was left out from Joy Division's second and last album "Closer". According to Occam's razor "simpler solutions are more likely to be correct than complex ones". Let's apply this problem-solving principle. The artists may have a vast well of songs to choose from. Yes, but this doesn't explain why the extraordinary song didn't make it. An even more simple explanation is that artists who normally are overly self-critical, have good judgment and impeccable taste sometimes make mistakes. I will not elaborate any further. This explanation will do. Then, the biggest mistake must be leaving out "Grief Came Riding" from Nick Cave's epic album "And No More Shall We Part" released in 2001. The outtake appeared on a bonus CD packaged with a limited edition of the album when it was first released. It would later be included on the 2005 compilation "B-Sides & Rarities", the 2011 re-release of "No More Shall We Part" and the bootleg cd "The Boatman's Call Outtakes" (which means that the bootlegger made a mistake). The latter version is slightly different (and better). The lo-fi piano-based song fits perfectly into the theme and atmosphere of the album. Personally, I would have placed it between "And No More Shall We Part" and "Hallelujah". The lyrics are, as always, of the highest standards. "I started thinkin' about London / And nothing good ever came from this town / And if the Thames weren't so filthy / I would jump in the river and drown". But, what about outtakes in the gothic country genre? Normally, there a few alternative or demo versions, but generally no outtakes. Songs are more likely to be recorded between albums. However, one rare example of an outtake is "Mechanically Separated Blues" that was left out from Antic Clay's classic double album "Hilarious Death Blues" in 2007, read more here (opens in a new window). Of course, there's a simple explanation for the absence of outtakes. There's no time and money for the luxury of endless recording and studio time.  

 
 

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