Hand on heart, where do you stand when it comes to overdubbing? The technique is used in audio recording in which audio tracks that have been pre-recorded are played back and monitored, while simultaneously recording new, doubled, or augmented tracks. This procedure can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. It divides people. The minimalists argue that there should be no more layers added to a recording, it should sound "as is". Some extreme minimalists even advocate underdubbing, where certain elements may have been removed from a recording. The maximalists argue on the other hand that there's always room for improvement: altering, fixing, compensating and enhancing the sound. The maximalists span from moderate to over the top (the more layers added on a recording the better). One of the best known songs with overdub is "I'm Not in Love" by 10cc included on their third album, The Original Soundtrack, read an in-depth article about how the song was recorded here (opens in new window). The song was recorded in Strawberry Studios in Stockport and was originally recorded as a bossa nova. The band members weren't pleased with the outcome. The band tried different approaches, but nothing worked. The recording came close to being abandoned. The Strawberry Studios secretary Kathy Redfern, persuaded the band not to scrap it (and eventually supplied the whispered spoken word ("Be quiet, big boys don't cry"). The band knew that they had to come up with something completely different. And they did. Vocal harmonies in excess. A bass drum and a piano worked as a metronome. There are 256 vocal overdubs on the song created with tape loops. The lush harmonies with multitracked vocals sounds like a string arrangement. It was a time-consuming and painstaking procedure. The band sang 'Aahhh' for three weeks. This was new and groundbreaking. A seminal idea, an innovative take, perfectly executed with an impressing final result. Remember well, and bear in mind, this was made with the recording technology that were available 50 years ago. This makes it even more impressing. A big 'Aahhh'.
 

The grumpiest man in rock'n roll, Neil Young, have announced that his music will be available on Spotify again. He withdraw his music catalogue from Spotify after an anti-vaccinationism dispute, read more here (opens in a new window). The reason is hard to follow: "My decision comes as music services Apple and Amazon have started serving the same disinformation podcast features I had opposed at Spotify". The consequent thing to do, and which would align with his previous action, would be to withdraw his music from Apple and Amazon. The reason for not doing so is even harder to follow: "I cannot just leave Apple and Amazon, like I did Spotify, because my music would have very little outlet to music lovers at all...". Well, Neil Young's concern about the access to his music has always been overshadowed by his hate of inferior sound quality. In a long and futile crusade, he has been talking trash about cds and advocating other formats, developed the Pono player, read more here (opens in a new window) and held six of his early albums as "hostage", read more here (opens in a new window). So, what is this nonsense all about? The dog barks, money talks. Neil Young previously said that Spotify accounted for 60 percent of his streaming revenues, prior to his departure. He bowed down for Spotify and chose money over principles. It's just pathetic and embarrasing. It's not like he need the money from streaming. Neil Young has a net worth of $200 million. People who have painted themselves into a corner often try to change the subject. "I have returned to Spotify, in sincere hopes that Spotify sound quality will improve and people will be able to hear and feel all the music as we made it...Spotify, you can do it!" Not so grumpy, anymore. Almost cheerful and naive on the verge of going over into stupidity. Neil Young has taken hypocrisy to a whole new level. Consistency is an absolute necessity when it comes to principles and values. Groucho Marx formulated it very apt: "Those are my principles, and if you don't like them... well, I have others".  

Some say the term overrated in itself is overrated, or at least, overused. Not me. I embrace it. In an article published on the british website Far Out Magazine, Noel Gallagher picked out Beach Boys as "the most overrated group of all time". This is very ironic given that Oasis definitely is the most overrated band in music history. And the competition in this particular area is fierce. Oasis may have sold over 75 million records worldwide, but what is their lasting imprint and musical legacy? Null and void. I have got their first four albums and the following compilation album with B-sides. I never play any of them. I think that the reason is that Oasis didn't bring anything new to the table. Oasis is a bleak copy of Beatles and Rolling Stones, or more correct, an amalgam of the two. Oasis emerged in the Britpop era and rose to stadium level almost overnight in a media hype. The new Beatles or Stones? The desire to believe in something is part of human nature: we want to believe. Oasis became stars without any effort. "Strength of character is forged through enduring hardship and maintaining composure in the face of difficulties" said Marcus Aurelius. Oasis got everything served on a silver platter. A feud between the obnoxious brothers, Noel and Liam, added to the storytelling of the band. The Gallagher brothers instantly developed a grand view of themselves and their importance in the world. Of course, when the Britpop era faded out they became irrelevant. Time is a cruel judge of talent, isn't it? And what kind of hostile environment creates a breeding ground for bands like Oasis? "Manchester, So Much To Answer For".       

A lot of people confuse the interest for music with the interest of how music sounds. For the uninitiated, it may seem like the same thing, but there's an abyssal difference. No one have formulated it better and more accurate than English audio engineer, songwriter, musician and record producer Alan Parsons. "Audiophiles don't use their equipment to listen to your music. Audiophiles use your music to listen to their equipment." If you want to read an old blog post about audiophiles, read more here (opens in a new window). Audiophiles have created a canon of reference albums to try their equipment on, preferable released as Super Bit Mapping (SBM) which converts a 20-bit signal from master recording into a 16-bit signal nearly without sound quality loss or SACD which allows multiple audio channels (i.e. surround sound or multichannel sound). To name a few reference albums; Alan Parsons Project — I Robot, Rumours - Fleetwood Mac, Stevie Wonder - Songs in the Key of Life, Peter Gabriel - So, Gino Vannelli - Brother to Brother, Dire Straits - Brothers in Arms and Roxy Music - Avalon. The true audiophile makes no difference between Steely Dan - Aja and Tears for Fears - Songs From the Big Chair. In their world, it's just a matter of sound spectrum. There are no audiophiles and reference albums in the gothic country genre. We are perfectly happy if we are able to listen to the music on vinyl, cds or lossless files. This is the sound of music.  

Those Poor Bastards are productive. They released their thirteenth album "Back To The Primitive" on February 27, 2024. The limited edition vinyl options are as follows: 10 signed and numbered test pressings, 100 copies 180 gram black with signed sideshow poster of Lonesome Wyatt and The Minister (original art by Lonesome Wyatt), 200 copies “Bone Rot (natural/black)” and 300 copies “Blood Storm (transparent red/black)”. I don't belong to the primary target group for vinyls. On the bright side, Those Poor Bastards continue to release cds for people like myself that don't have the slightest interest of changing format back to vinyl again. Those Poor Bastards combine a high production rate with consistent good quality. However, this isn't one of their best albums. The new album consists of ten songs delivered in a furious tempo. The distorted songs goes in one ear and out the other. Not bad songs per se, but the songwriting doesn't live up to their usual standards. One song stand out, the closing song "The Hanged Man". To sum it up. "Back To The Primitive" doesn't cut it. Only "The Hanged Man" will take place on my prestigious TPB compilation list. However, my main complaint is the short running time. The revival of vinyls have led to shrinkflation. You could easily fit a total of 44 minutes of music on a vinyl. It’s technically possible to fit in 52 minutes of music at 33 1/3 rpm and even possible to exceed that, if you’re willing to live with a slightly poorer sound. In the old days, most albums were between 37 and 45 minutes in length, and this was conducive to their being taped, as 90 minute cassette tapes could then carry two full albums of material. This album is 31 minutes and 31 seconds long. For me, this means that the music/dollar ratio is less than 1 (cd $12, shipping $20 and $10 import taxes and administrative fee). This is madness and the sort of trade exchange the world can no longer afford. However, this statement is valid on the aggregate level, not on the individual level. I will buy their next album.